REVIEW: The Wrestler

American cinema revels in the comeback story. From Rocky (John G. Avildsen, 1976) and The Natural (Barry Levinson, 1984) through more recent fare such as Cinderella Man (Ron Howard, 2005), the celluloid history of Hollywood is underscored by a belief that anyone can make it big, fail, and then be resurrected again like a modern-day […]