FEATURE: John Waters On Salò, or the 120 Days of Sodom

To say that director John Waters has a fondness for excess is perhaps to put things mildly. For the man William S. Burroughs once dubbed “the pope of trash”, Waters has carved out a reputation through his filmmaking for transgressing sexual norms and embracing social taboo. And while the early extremes of Multiple Maniacs (1970) […]