ANALYSIS: God in all things: Amiel Courtin-Wilson’s ‘Hail’

In an industry where marginalised social classes are routinely depicted as loveable larrikins, comical bogans or dangerous criminals and sexual predators, Amiel Courtin-Wilson’s Hail signals something of a breakthrough in Australian cinema. Based on the life and stories of Daniel P. Jones (who also performs the lead role, Danny), the film broadly depicts one man’s […]