ANALYSIS: Polisse: Empathy or Exploitation?

At what point does representation become exploitation? Classifying the inherent ethical value of art is a perilous pursuit. As the response to Bill Henson’s photography or the calls to ban Adrian Lyne’s Lolita, Gregg Araki’s Mysterious Skin and Srđan Spasojević’s A Serbian Film reveal, this is particularly so when the work involves children. Recently released […]